Rewolucja jest tkaniną

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dc.abstract.plMaria Pinińska-Bereś is one of the most recognizable graduates of the Academy of Fine Arts in Krakow, known for her works based on fabric. Her decision to use this and not any other medium was revolutionary – it was in opposition to the education she received at her alma mater. It required defying the principles that were considered unquestionable in her environment. This was closely related to her gender; a woman sculptor, that is to say, the problem of how a woman artist functions in the artistic world, additionally in the field of sculpture, which we used to associate with male artists. Her rebellion turned out to be victorious and it was thanks to it that she found her way to the history of art.
dc.affiliationAkademia Sztuk Pięknych im. Jana Matejki w Krakowie
dc.affiliationWydział Rzeźby
dc.contributor.authorDemko, Iwona
dc.date.accessioned2024-03-05T13:57:42Z
dc.date.available2024-03-05T13:57:42Z
dc.date.issued2020
dc.description.physical142-151
dc.description.volume4
dc.identifier.issn2657-652X
dc.identifier.urihttps://repozytorium.asp.krakow.pl/handle/asp/39929
dc.languagepl
dc.pbn.affiliationsztuki plastyczne i konserwacja dzieł sztuki
dc.rights.licenseCC-BY
dc.rights.shareShareYes
dc.titleRewolucja jest tkaniną
dc.title.journalPowidoki. Magazyn Artystyczno-Naukowy
dc.typeArticle
dspace.entity.typePublication