Technika i technologia wykonania siedemnastowiecznego obrazu z wizerunkiem Matki Boskiej Hermanickiej. Badania konserwatorskie obiektu zbudowanego z trzech nakładających się na siebie kompozycji

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General information

Alternative title
Item
Article
Authors
Krupska-Wolas, Paulina
Ryguła, Anna
Editor
Organisational unit
Akademia Sztuk Pięknych im. Jana Matejki w Krakowie
 Wydział Konserwacji i Restauracji Dzieł Sztuki
Discipline
sztuki plastyczne i konserwacja dzieł sztuki
Date of realization
2025
DOI
10.69140/OZ.2025.2.8
Journal
Ochrona Zabytków
ISSN
0029-8247
eISSN
2956-6606
ISBN
eISBN
Place of realization
Publisher
Title of monograph
Pages
167-191
Volume
Open access
Yes
Thumbnail Image
Files

Files

TECHNI~1.PDF(7.99 MB)

Keywords

item.subject.en
Our Lady of the Snows
 Our Lady of Hermanice
 techniques and technology
 conservation research
 MA-XRF
 FTIR
 hyperspectral imaging
 Raman spectroscopy

Abstract

item.page.abstract.en
This article focuses on an easel painting of Our Lady of Hermanice, notable for its tech nological construction, which has undergone significant changes in appearance and function throughout its history. The painting consists of three compositions: a portrait of a man, overpainted with a depiction of Our Lady of the Snows, which was repainted twice in subsequent centuries to become a twentieth-century painting of the Virgin and Child. Various physicochemical tests were used to analyse the individual compositions, including analytical methods (among others, SEM-EDX, Raman spectroscopy, FTIR) and imaging techniques (MA-XRF, hyperspectral imaging). The information obtained in this way helped to discover the composition and iconography of the aforementioned representations, their technological structure, techniques of execution and state of pres ervation, and to partially determine their dating and provenance and, subsequently, to carry out the conservation and restoration of the painting of Our Lady of Hermanice.